J. Marchand Knight, D.M.A.
J. Marchand Knight, Zwischenfach
Media
Three Songs to Joannes (Brey)
Mixed Messages/No Pants (Marchand Knight)
Glitter and be Gay (Candide, Bernstein)
Sélection de rôles d'opéra/Selection of Operatic Roles
Agrippina (Agrippina, Handel)
Dido, Belinda (Dido and Aeneas, Purcell)
1st Lady (Christopher Sly, Argento)
Angelina Ali (Muhammad Ali (workshop), Duffy)
Rose Maybud (Ruddigore, Gilbert & Sullivan)
Elizabeth (Les Enfants Terribles, Glass)
Merab (Saul, Handel)
Semele (Semele, Handel)
Treemonisha (Treemonisha, Joplin)
Hannah Glavari (The Merry Widow, Lehar)
Donna Elvira (Don Giovanni, Mozart)
Barbarina (Le Nozze di Figaro, Mozart)
Papagena, First Spirit (Die Zauberflöte, Mozart)
Soeur Constance (Dialogues des Carmélites, Poulenc)
Quiteria (Don Quichotte auf der Hochzeit des Comacho, Telemann)
Violetta (Traviata, Verdi)
Sélection du répertoire de concert/ Selection of Concert Repertoire
Bach, Jauchzet Gott in Allen Landen, Kantate 51
Bach, Alles nur nach Gottes Willen, Kantate 72
Charpentier, Messe de Minuit, H.9
Mendelssohn, Paulus, Op.36
Mozart, Missa Brevis in D-Minor, K.65
Mozart, Coronation Mass, K.317
Sélection de premières/Selection of Premieres
Edwards, Requiem for my Mother (Carnegie Hall)
Levesque, Dualités
Nikitin, Small Hands
Films et enregistrements/Films and Recordings
Edwards, Requiem for my Mother, Studio Recording in Rome, Italy, 2008.
Edwards, Requiem for my Mother, Documentary released in 2017.
Genius, Voice over arias from La Traviata and Andrea Chénier, 2006.